METROPOLIS
03
Metropolis - “The New School of Art”, at Kiryat HaMelacha in Tel Aviv.
"Dear Christina", Simha Sherman.
15.11.13 -
16.11.13
45
Lessons
1000
Participants
Kiryay Hamelacha, TLV
Nitzan Mintz, Street Poetry.
Think through objects, Boaz Arad
We singled out and adopted the industrial zone of Kiryat HaMelacha, a lively and active center for artists, galleries and art collections, as the space for a new school. During the two-day event, about fifty artists from various fields, as well as collectors and curators operating in the area, became teachers at the school by sharing their knowledge and experiences to the general public (approximately a thousand visitors). The meetings, held in art studios, workshops and gallery and collection spaces, were held with no hierarchies amongst the participants. No prior knowledge was required - only the desire and curiosity to learn about the respective artist or subject being studied.
"In building enormous institutions…we merely encourage the accumulation of facts, the development of capacity, and the habit of thinking mechanically, according to a pattern [….] Yet it is strange that words like "system," "institution," have become very important to us. Symbols have taken the place of reality, and we are content that it should be so; for reality is disturbing, while shadows give comfort."
(Krishnamurti / Education and the Significance of Life)
The “Metropolis” project, which is held for the first time in the framework of Loving Art. Making Art. 2013, seeks to give the public direct and unmediated access to the extensive knowledge accumulated through the lively artistic activity in the city. Artists, curators, and collectors who work at Kiryat HaMelacha district in southern Tel Aviv will hold classes on various subjects, and share their fields of knowledge with the interested public. This is an experiment towards the foundation of a new art "school", in which the urban domain constitutes a place for learning and sharing knowledge.
Kiryat HaMelacha district in south Tel Aviv, which over the last decade evolved into an art center housing some 150 artists alongside galleries and art collections, contains great and diverse knowledge. Out of this reservoir of knowledge we have devised the study sessions: 50 classes held in the artists' natural territory – in the studio or in various display venues. This allows for significant dialogue and learning based on curiosity and a desire for knowledge and discussion, and opens the possibility for a personal connection with an artist who teaches a subject that interests him in a method that is the most suitable for him. The classes/sessions are open to anyone who is interested in joining and learning from emerging and established artists, collectors, as well as poets and researchers, about diverse and different subjects that encompass painting, photography, and ceramics as well as literature, politics, and poetry. We offer a conceptual alternative to the physical structure and familiar mechanism of a school, and propose a new way of thinking about urban planning: an amalgam of city, art, and education.
THE CLASSES
The study sessions emerged from the subjects the artists engage in, and were arranged in six learning departments:
Mechanism Studies
What is the learning mechanism and how does one study art.
Urbanism and the Politics of Space
The influence of the planned space and its history on the nature of learning and its contents.
Department of Abstract Concepts
Education and teaching combined with urban planning as an alternative to financial interests.
Department of Concrete Ideas
Learning in the urban environment versus ideological schooling.
Urbanism and the Politics of Space
The influence of the planned space and its history on the nature of learning and its contents.
Classic and Interdisciplinary Studies
Interdisciplinary dialogues and sessions on the subjects that emerge from the artists' practice.
Read poetry, understand photography, Roy Cooper
Sample Class > Metropolis > Questions for Jan
Jan Rauchwarger
Questions for Jan
10 Participants
104 Har Tzion Street, TLV
Saturday, October 16, 2013
An open discussion with Jan Rauchwarger around his work, art education and art in general, through questions raised by participants of the meeting.
Jan Rauchwarger is a painter born in 1942.
He has exhibited in group exhibitions and numerous solo exhibitions, including at the Israel Museum and the Tel Aviv Museum of Art.
Rauchwarger has taught at the Avni Institute, Kalischer, Midrasha College of Art and Bezalel Academy of Art and Design. He has been awarded the Rappaport Prize for senior Israeli artist.
GALLERY
על הצפייה של הנפש בגופים הבתי נראים
PARTICIPANTS
Loving Art, Making Art, “Metropolis”, November 2013
Participants: Yuval Kedar, Nitzan Mintz, Amir Nave, Moshe Gershon, Shpilman Institute of photography, Amir Sharfman, Nir Segal, Liat Segal, Shai Yehezkelli, Tovit Basirtman, Uriel Miron, Ben Klinger & Shay Carmon, Sheffy Bleier, Moshe Zuckermann & Sheffy Bleier, Michal Orgil, Bracha Bien-Venida-Guy & Meir Natif, Noa Ginzburg, Yoav Weiss, Efrat Livny, Orit Goldman, Hagit Kazinitz, Noga Yudkovik-Etzioni, Jan Rauchwerger, Alin Ealagem, Larry Abramson, Nivi Alroy & Laliv Melamed, Z I Z ART SPACE, Benyamini Contemporary Ceramics Center, Assaf Shaham, Orit Tuchman Duer, Ella Manor, Simcha Shirman, Adam Sher, Goni Harlap, Yuval Caspi, Roi Kuper, Boaz Arad, Ido Bar-El, Hillel Roman.
Curators: Eran Eizenhamer, Karni Barzilai, Yonatan H. Mishal. Assistant Producer: Neta Levavi. Photographer: Nitzan Hefner.